Check tonight's film

Films shot for IMAX

The words “in IMAX” do not tell you how a film was made or whether the image gets taller.

Check three separate facts: capture type, tallest delivered ratio, and how much of the runtime uses it.

Shot on IMAX film

The production used horizontal large-format film for at least some material. That does not guarantee the finished release kept a full-height frame. 26 records.

Shot on IMAX digital

The production used cameras in IMAX's certified digital program. Many finish at the common expanded frame rather than the full-height frame. 23 records.

DMR only

The movie was remastered for IMAX without qualifying IMAX camera capture. It usually gains no image area, though a taller source master can be an exception. 13 records.

Fast answer: read the “Worth a full-height venue?” column. A film can be excellent in IMAX for scale, sound, contrast, or remastering even when that answer says there is no framing gain.

Film lookup

Search films Capture category Tallest frame IMAX film print

72 results

Capture, presentation, and release-print fields are independent. A digital film can receive a film-out, and a DMR title can preserve a taller source master.
			Category	Capture				IMAX film print	Worth a full-height venue?	Confidence	Sources
The Prestige	2,006	Christopher Nolan	Shot on IMAX film	35mm film for the feature, with one IMAX 15-perf 65mm effects element used as a camera test.	Not published	Not published	130	No	No framing gain. The IMAX camera test did not produce an expanded-ratio IMAX release.	reported	Wikipedia: List Of IMAX Films
The Dark Knight	2,008	Christopher Nolan	Shot on IMAX film	35mm anamorphic film plus IMAX 15-perf 65mm film cameras for six major sequences.	1.43:1	28	152	Yes	About 28 minutes use the 1.43:1 frame, with more picture above and below than the wider presentation.	verified	IMAX Corporation: The Dark Knight Wikipedia: The Dark Knight Wikipedia: List Of Films Released In IMAX
Transformers: Revenge of the Fallen	2,009	Michael Bay	Shot on IMAX film	35mm film and digital capture, with selected action photographed on IMAX 15-perf 65mm film.	1.43:1	10	149	Yes	About 10 minutes expand to the full 1.43:1 frame.	reported	Wikipedia: List Of IMAX Films Wikipedia: List Of Films Released In IMAX in70mm.com: Index
The Tree of Life	2,011	Terrence Malick	Shot on IMAX film	35mm, 5-perf 65mm, IMAX 15-perf 65mm, and some digital photography.	Not published	Not published	139	No	No IMAX framing gain. The feature was not released in IMAX, despite using the camera for selected material.	verified	Wikipedia: List Of IMAX Films Wikipedia: The Tree Of Life (Film) in70mm.com: Index
Mission: Impossible - Ghost Protocol	2,011	Brad Bird	Shot on IMAX film	35mm film plus IMAX 15-perf 65mm film for action sequences including the Burj Khalifa set piece.	1.43:1	25	132	Yes	About 25 minutes of IMAX-shot action use the 1.43:1 frame.	verified	Smithsonian Institution: Mission Impossible Ghost Protocol Play Two Smithsonian Imax Theaters Wikipedia: Mission: Impossible – Ghost Protocol
The Dark Knight Rises	2,012	Christopher Nolan	Shot on IMAX film	35mm anamorphic film plus extensive IMAX 15-perf 65mm film photography.	1.43:1	72	165	Yes	About 72 minutes use the full 1.43:1 frame.	verified	IMAX Corporation: Christopher Nolans Birthday Calls Celebration His Work Static: Dark Knight Rises The 1608 Wikipedia: List Of Films Released In IMAX
Star Trek Into Darkness	2,013	J. J. Abrams	Shot on IMAX film	35mm anamorphic film with selected scenes photographed on IMAX 15-perf 65mm film.	1.66:1	Not published	132	Yes	Some extra height, but not the full IMAX negative. The 3D IMAX release cropped the camera material to about 1.66:1.	reported	Wikipedia: List Of IMAX Films Wikipedia: List Of Films Released In IMAX
The Hunger Games: Catching Fire	2,013	Francis Lawrence	Shot on IMAX film	35mm anamorphic film, switching to IMAX 15-perf 65mm film for the arena section.	1.43:1	48	146	Yes	About 48 minutes in the arena portion open gradually to the 1.43:1 frame.	reported	Wikipedia: List Of Films Released In IMAX Batmandir: Films
Transformers: Age of Extinction	2,014	Michael Bay	Shot on IMAX film	Digital and 35mm photography, including the Phantom 65 IMAX 3D digital rig and some IMAX 15-perf 65mm film.	1.90:1	95	165	No	The IMAX version varies among several ratios and reaches 1.90:1, with no 1.43:1 frame.	reported	Wikipedia: List Of IMAX Films Wikipedia: List Of Films Released In IMAX
Lucy	2,014	Luc Besson	Shot on IMAX film	Primarily Sony F65 digital capture, with selected material reported as photographed on an IMAX 15-perf 65mm camera.	Not published	Not published	89	No	No framing gain. The IMAX release remained 2.39:1 and was a DMR presentation.	reported	PR Newswire: Universal Pictures And Europacorps Lucy Races Into International Imax Theatres Starting August 8 266189701 Film and Digital Times: Luc Bessons Lucy Described By Thierry Arbogast Afc Wikipedia: List Of IMAX Films
Interstellar	2,014	Christopher Nolan	Shot on IMAX film	35mm anamorphic film plus IMAX 15-perf 65mm film for large portions of the space and landscape photography.	1.43:1	66	169	Yes	About 66 minutes use the 1.43:1 frame.	verified	IMAX Corporation: Interstellar CBS News: In A Digital Age Interstellar Unspools On Film Stock Associated Press
Star Wars: The Force Awakens	2,015	J. J. Abrams	Shot on IMAX film	35mm film with one Millennium Falcon action sequence photographed on IMAX 15-perf 65mm film.	1.43:1	5	138	Yes	About five minutes in the Falcon escape sequence use the 1.43:1 frame.	reported	Wikipedia: List Of Films Released In IMAX
Batman v Superman: Dawn of Justice	2,016	Zack Snyder	Shot on IMAX film	35mm film, 5-perf 65mm film, and IMAX 15-perf 65mm film for selected sequences.	1.43:1	25	151	Yes	About 25 minutes across several sequences use the 1.43:1 frame.	reported	Wikipedia: List Of IMAX Films Batmandir: Films Wikipedia: List Of Films Released In IMAX
Dunkirk	2,017	Christopher Nolan	Shot on IMAX film	Mostly IMAX 15-perf 65mm film, with 5-perf 65mm film used where the larger camera was impractical.	1.43:1	79	106	Yes	About 79 minutes use the 1.43:1 frame.	verified	IMAX Corporation: Dunkirk American Society of Cinematographers: Dunkirk Wrangling Two Large Formats Wikipedia: List Of Films Released In IMAX
Star Wars: The Last Jedi	2,017	Rian Johnson	Shot on IMAX film	35mm, digital, and IMAX 15-perf 65mm capture for selected material.	Not published	Not published	152	No	No framing gain. The finished IMAX release kept the 2.39:1 scope ratio throughout.	reported	Wikipedia: List Of IMAX Films Wikipedia: List Of Films Released In IMAX
First Man	2,018	Damien Chazelle	Shot on IMAX film	16mm and 35mm film for Earth scenes, changing to IMAX 15-perf 65mm film on the lunar surface.	1.43:1	10	141	No	About 10 minutes in the Moon sequence use the full 1.43:1 frame.	verified	Kodak: First Man Wikipedia: List Of IMAX Films Batmandir: Films
Tenet	2,020	Christopher Nolan	Shot on IMAX film	IMAX 15-perf 65mm film and 5-perf 65mm film throughout the production.	1.43:1	75	150	Yes	About 75 minutes use the 1.43:1 frame.	verified	IMAX Corporation: Experience Tenet IMAX 70mm Wikipedia: List Of IMAX Films Batmandir: Films
Wonder Woman 1984	2,020	Patty Jenkins	Shot on IMAX film	35mm film with the opening and closing material photographed on IMAX 15-perf 65mm film.	1.90:1	14	151	No	About 14 minutes use a 1.90:1 frame. The IMAX film negative was cropped rather than presented at 1.43:1.	reported	Wikipedia: List Of IMAX Films Wikipedia: List Of Films Released In IMAX
No Time to Die	2,021	Cary Joji Fukunaga	Shot on IMAX film	35mm film, 5-perf 65mm film, and IMAX 15-perf 65mm film for the opening and selected action.	1.43:1	30	163	No	About 30 minutes reach 1.43:1, with additional large-format footage reaching 1.90:1.	reported	Wikipedia: List Of Films Released In IMAX Batmandir: Films
Nope	2,022	Jordan Peele	Shot on IMAX film	IMAX 15-perf 65mm and 5-perf 65mm film, including infrared day-for-night material combined in post-production.	1.43:1	47	130	No	About 47 minutes use the 1.43:1 frame.	verified	Wikipedia: List Of IMAX Films IMAX Corporation: Nope Batmandir: Films
Oppenheimer	2,023	Christopher Nolan	Shot on IMAX film	IMAX 15-perf 65mm and 5-perf 65mm film, including newly manufactured black-and-white large-format stock.	1.43:1	40	180	Yes	About 40 minutes use the 1.43:1 frame, with the rest presented from 5-perf 65mm at 2.20:1.	verified	IMAX Corporation: Oppenheimer In Imax 70mm BFI: Pictures 70mm Print Oppenheimer Arrives Bfi Imax Wikipedia: List Of IMAX Films
Sinners	2,025	Ryan Coogler	Shot on IMAX film	IMAX 15-perf 65mm and Ultra Panavision 65mm film, using both 1.43:1 and 2.76:1 compositions.	1.43:1	Not published	137	Yes	Selected sequences use the 1.43:1 frame instead of the 2.76:1 base frame. An exact expanded duration is not published.	verified	Kodak: Sinners American Society of Cinematographers: Sinners Cinematography Durald Arkapaw IMAX Corporation: Sinners Imax
The Smashing Machine	2,025	Benny Safdie	Shot on IMAX film	Predominantly 16mm film with broadcast video formats and one sequence photographed on an IMAX 15-perf 65mm camera.	1.43:1	5	123	No	About five minutes in one sequence use the 1.43:1 frame.	verified	American Society of Cinematographers: The Smashing Machine Cinematography IMAX Corporation: The Smashing Machine Batmandir: Films
The Odyssey	2,026	Christopher Nolan	Shot on IMAX film	Photographed entirely on IMAX 15-perf 65mm film, using legacy cameras and the new Keighley camera generation.	1.43:1	172	172	Yes	The full 172-minute feature uses the 1.43:1 composition in a compatible venue.	verified	IMAX Corporation: Theodyssey Associated Press BBFC: The Odyssey Q29sbgvjdglvbjpwwc0xmdmxmdy2 The Odyssey official format guide: Explore Formats IMAX investor relations: Christopher Nolans Odyssey Delivers Record Breaking 52 Million
Dune: Part Three	2,026	Denis Villeneuve	Shot on IMAX film	A mixture that includes selected IMAX 15-perf 65mm and 5-perf 65mm film sequences, with other capture formats not fully documented as of July 2026.	1.43:1	Not published	Not published	Yes	Expected to include true 1.43 sequences, but the final amount was not published by 31 July 2026.	reported	Wikipedia: List Of IMAX Films TheWrap: Will Dune 3 Be Shot In Imax Denis Villeneuve IMAX Corporation: Imax
Captain America: Civil War	2,016	Anthony Russo and Joe Russo	Shot on IMAX digital	ARRI Alexa digital capture, with the airport battle photographed on the prototype ARRI Alexa IMAX 65.	1.90:1	17	147	No	About 17 minutes in the airport battle use the 1.90:1 frame. A 1.43 screen still has unused space above and below.	reported	Wikipedia: List Of IMAX Films
Sully	2,016	Clint Eastwood	Shot on IMAX digital	Almost entirely photographed with ARRI Alexa IMAX 65 digital cameras.	1.90:1	96	96	No	More picture than a scope presentation for the full film, but no special benefit from a 1.43 room over a good 1.90 IMAX.	reported	Wikipedia: List Of IMAX Films
Transformers: The Last Knight	2,017	Michael Bay	Shot on IMAX digital	ARRI Alexa IMAX 65 and other digital cameras, often mounted as native 3D pairs.	1.90:1	Not published	154	No	Frequent extra height up to 1.90, but no full-height 1.43 imagery. The ratio changes repeatedly.	verified	Wikipedia: List Of IMAX Films IMAX Corporation: Transformers Last Knight Filmed Imax 3d Cameras
Avengers: Infinity War	2,018	Anthony Russo and Joe Russo	Shot on IMAX digital	Photographed entirely with ARRI Alexa IMAX 65 digital cameras.	1.90:1	149	149	No	The whole film is taller in IMAX, but a 1.43 venue adds nothing beyond what a 1.90 IMAX can show.	reported	Wikipedia: List Of Films Released In IMAX Wikipedia: List Of IMAX Films
Avengers: Endgame	2,019	Anthony Russo and Joe Russo	Shot on IMAX digital	Photographed entirely with ARRI Alexa IMAX 65 digital cameras.	1.90:1	181	181	No	The entire film gains height in IMAX, but a 1.43 room shows the same 1.90 frame with bars.	reported	Wikipedia: List Of Films Released In IMAX
The Lion King	2,019	Jon Favreau	Shot on IMAX digital	Photoreal digital animation rendered through a virtual-production pipeline designed for IMAX framing.	1.43:1	25	118	No	About 25 minutes of musical and landscape sequences use the 1.43:1 frame.	reported	Wikipedia: List Of Films Released In IMAX Batmandir: Films Wikipedia: List Of IMAX Films
The Suicide Squad	2,021	James Gunn	Shot on IMAX digital	Photographed entirely with IMAX-certified RED Ranger Monstro and RED Komodo digital cameras.	1.90:1	132	132	No	The full film uses the taller 1.90 frame, but a 1.43 screen provides no additional image.	verified	Red: The Suicide Squad Wikipedia: List Of IMAX Films
Shang-Chi and the Legend of the Ten Rings	2,021	Destin Daniel Cretton	Shot on IMAX digital	Photographed with IMAX-certified ARRI Alexa LF and Mini LF digital cameras.	1.90:1	132	132	No	The whole IMAX presentation is taller than the scope version, but a 1.90 venue shows all of that framing.	reported	Wikipedia: List Of Films Released In IMAX
Dune	2,021	Denis Villeneuve	Shot on IMAX digital	IMAX-certified ARRI Alexa LF and Mini LF digital cameras with large-format Panavision lenses.	1.43:1	60	155	No	About 60 minutes use the 1.43:1 frame. Other IMAX venues show those sequences at up to 1.90:1.	verified	IMAX Corporation: Dune Experience Up To 40 Percent More Picture Only In Select Imax Theatres American Society of Cinematographers: Dune Fear Is The Mind Killer Wikipedia: List Of Films Released In IMAX
Eternals	2,021	Chloe Zhao	Shot on IMAX digital	IMAX-certified ARRI Alexa LF and Mini LF digital cameras.	1.43:1	5	156	No	About five minutes use the 1.43:1 frame, with longer sections at 1.90:1.	reported	Wikipedia: List Of Films Released In IMAX Batmandir: Films
Doctor Strange in the Multiverse of Madness	2,022	Sam Raimi	Shot on IMAX digital	Photographed entirely with IMAX-certified Panavision Millennium DXL2 digital cameras.	1.90:1	126	126	No	The entire film gains height in IMAX, but a 1.43 screen cannot show more than the 1.90 master.	reported	Wikipedia: List Of IMAX Films
Top Gun: Maverick	2,022	Joseph Kosinski	Shot on IMAX digital	IMAX-certified Sony Venice digital cameras, including compact rigs placed inside aircraft cockpits.	1.90:1	60	131	No	About 60 minutes of flight sequences use the 1.90:1 frame. A 1.43 venue shows no additional image beyond that master.	verified	Sony Cine: Filming Top Gun Maverick With Six Cameras In The Cockpit IMAX Corporation: Top Gun Maverick Wikipedia: List Of IMAX Films
The Wandering Earth 2	2,023	Frant Gwo	Shot on IMAX digital	Photographed entirely with ARRI Alexa IMAX digital cameras.	1.90:1	173	173	No	The whole film uses the expanded 1.90 frame. A 1.43 auditorium does not reveal additional height.	reported	Wikipedia: List Of IMAX Films
Guardians of the Galaxy Vol. 3	2,023	James Gunn	Shot on IMAX digital	Photographed with IMAX-certified RED V-Raptor digital cameras.	1.90:1	150	150	No	The IMAX version is 1.90 throughout, but a 1.43 room adds no further image.	verified	IMAX Corporation: Guardians Of The Galaxy Vol 3 Wikipedia: List Of IMAX Films
Dune: Part Two	2,024	Denis Villeneuve	Shot on IMAX digital	IMAX-certified ARRI Alexa 65 and Mini LF digital cameras, followed by a film-out and rescan workflow.	1.43:1	40	166	Yes	The IMAX version is 1.90:1 throughout, and about 40 minutes expand further to 1.43:1.	verified	IMAX Corporation: Dune Part Two Imax 70mm Film Tickets Now On Sale Associated Press Wikipedia: List Of IMAX Films
Joker: Folie a Deux	2,024	Todd Phillips	Shot on IMAX digital	ARRI Alexa 65 and Mini LF digital cameras certified for IMAX production.	1.43:1	55	138	Yes	About 55 minutes use the 1.43:1 frame, from a digital source rather than IMAX film.	verified	IMAX Corporation: Joker Folie A Deux In Imax 70mm Film IMAX Corporation: Experience Joker Folie A Deux Imax With Laser Theatres 1 43 Batmandir: Films
F1	2,025	Joseph Kosinski	Shot on IMAX digital	IMAX-certified Sony Venice 2 digital cameras and custom compact Sony camera systems mounted on race cars.	1.90:1	155	155	No	The whole IMAX presentation uses 1.90. A 1.43 room provides no additional picture beyond that master.	verified	IMAX Corporation: F1 Sony Cine: Behind The Scenes Of F1 The Movie Wikipedia: List Of IMAX Films
Superman	2,025	James Gunn	Shot on IMAX digital	Photographed with IMAX-certified RED V-Raptor large-format digital cameras.	1.90:1	129	129	No	The whole film is taller in IMAX, but there is no extra 1.43 image.	verified	IMAX Corporation: Superman Wikipedia: List Of IMAX Films
The Fantastic Four: First Steps	2,025	Matt Shakman	Shot on IMAX digital	ARRI Alexa 65 and other IMAX-certified large-format digital cameras.	1.43:1	5	115	No	Most of the IMAX presentation is 1.90:1, with about five minutes at 1.43:1.	reported	IMAX Corporation: The Fantastic Four First Steps Batmandir: Films Wikipedia: List Of IMAX Films
Project Hail Mary	2,026	Phil Lord and Christopher Miller	Shot on IMAX digital	ARRI Alexa 65 and Mini LF digital cameras, with rotated anamorphic optics used to compose a 1.43 frame for space material.	1.43:1	117	156	Yes	About 117 minutes use the 1.43:1 frame.	verified	IMAX Corporation: Project Hail Mary Web.Imaxmelbourne: HO00000586 Imaxcorporation.Gcs Web: Pdf
The Bride!	2,026	Maggie Gyllenhaal	Shot on IMAX digital	IMAX-certified Sony Venice digital cameras.	1.43:1	15	126	No	About 15 minutes use the 1.43:1 frame, and longer portions use 1.90:1.	reported	The Bride official site Wikipedia: List Of Films Released In IMAX Wikipedia: The Bride! Batmandir: Films
The Mandalorian and Grogu	2,026	Jon Favreau	Shot on IMAX digital	IMAX-certified ARRI Alexa LF and Mini LF digital cameras.	1.43:1	49	132	No	About 49 minutes use the 1.43:1 frame in a compatible dual-laser venue.	reported	IMAX Corporation: The Mandalorian And Grogu Forbes: Star Wars The Mandalorian And Grogu Movie Formats Which One Is Best Wikipedia: The Mandalorian And Grogu
Supergirl	2,026	Craig Gillespie	Shot on IMAX digital	IMAX-certified Sony Venice digital cameras.	1.90:1	52	107	No	About half the film gains height to 1.90, but a 1.43 auditorium cannot show more than that.	verified	IMAX Corporation: Supergirl Washington: Supergirl Associated Press
Apollo 13	1,995	Ron Howard	DMR only	Conventional 35mm film photography, later digitally remastered for a shortened IMAX release in 2002.	Not published	0	140	Yes	No extra captured image in the original scope framing. The value is scale and remastering, not a taller frame.	reported	Wikipedia: List Of Films Released In IMAX
The Matrix Reloaded	2,003	Lana Wachowski and Lilly Wachowski	DMR only	35mm film photography remastered for IMAX DMR.	Not published	0	138	Yes	No extra image area. A 1.43 screen shows the same 2.39 picture letterboxed.	reported	Wikipedia: List Of Films Released In IMAX
Batman Begins	2,005	Christopher Nolan	DMR only	35mm anamorphic film photography remastered for IMAX DMR.	Not published	0	140	Yes	No extra image area. The IMAX version remains scope and is letterboxed on a 1.43 screen.	reported	Wikipedia: List Of Films Released In IMAX
300	2,007	Zack Snyder	DMR only	Conventional digital capture against extensive greenscreen sets, then remastered for IMAX.	Not published	0	117	Yes	No framing gain. The image stays 2.39:1 with black bars in a 1.43 auditorium.	reported	Wikipedia: List Of Films Released In IMAX
Iron Man	2,008	Jon Favreau	DMR only	35mm film photography, digitally remastered for IMAX without an expanded-ratio master.	Not published	0	126	No	No extra image area. The IMAX premium buys scale and remastering only.	reported	Wikipedia: List Of Films Released In IMAX
Avatar	2,009	James Cameron	DMR only	Native stereoscopic digital capture with virtual-production imagery, mastered for IMAX 3D but not photographed with an IMAX camera.	Not published	0	162	Yes	No IMAX-exclusive framing. The taller 1.78 image is part of the flat version, not extra picture reserved for IMAX.	reported	Wikipedia: List Of Films Released In IMAX
Inception	2,010	Christopher Nolan	DMR only	35mm anamorphic, VistaVision, and 5-perf 65mm film, but no IMAX 15/65 camera photography.	Not published	0	148	Yes	No extra image area. Even the 15/70 print carries a letterboxed 2.39 frame.	reported	Wikipedia: List Of Films Released In IMAX
Gravity	2,013	Alfonso Cuaron	DMR only	Digital live-action capture integrated with extensive computer-generated imagery and animation, remastered for IMAX 3D.	Not published	0	91	No	No framing gain. The film remains 2.39, so the premium is for scale, sound, and 3D.	reported	Wikipedia: List Of Films Released In IMAX
Mad Max: Fury Road	2,015	George Miller	DMR only	ARRI Alexa and other conventional digital cameras, remastered and converted for IMAX 3D in some territories.	Not published	0	120	No	No extra image area. A 1.43 venue still shows a letterboxed scope frame.	reported	Wikipedia: List Of Films Released In IMAX
Rogue One: A Star Wars Story	2,016	Gareth Edwards	DMR only	ARRI Alexa 65 digital capture with Ultra Panavision lenses, but not an IMAX-certified camera production.	Not published	0	133	Yes	No extra image area. The same 2.39 frame is letterboxed in a 1.43 room.	reported	Wikipedia: List Of Films Released In IMAX
Blade Runner 2049	2,017	Denis Villeneuve	DMR only	ARRI Alexa XT digital capture. Roger Deakins supervised a custom IMAX transfer rather than using the standard DMR pipeline.	1.90:1	164	164	No	The IMAX version is taller at 1.90 for the full film, but a 1.43 venue adds nothing beyond that frame.	reported	Wikipedia: List Of Films Released In IMAX
1917	2,019	Sam Mendes	DMR only	ARRI Alexa Mini LF digital capture. Roger Deakins supervised a custom IMAX transfer.	1.90:1	119	119	No	The IMAX version gains height to 1.90 throughout, but there is no 1.43 image.	reported	Wikipedia: List Of Films Released In IMAX
One Battle After Another	2,025	Paul Thomas Anderson	DMR only	Primarily 8-perf horizontal 35mm VistaVision film with some conventional 35mm photography, then formatted for full-height IMAX presentation.	1.43:1	161	161	Yes	The full 161-minute feature uses a 1.43:1 VistaVision-derived image despite having no IMAX camera capture.	verified	Whatson.Bfi: Default Associated Press Wikipedia: One Battle After Another
The Young Black Stallion	2,003	Simon Wincer	Shot on IMAX film	Photographed as a medium-length narrative production on IMAX 15-perf 65mm film cameras.	1.43:1	49	49	Yes	The intended presentation. The entire narrative fills a 1.43 screen from native IMAX film.	reported	Wikipedia: The Young Black Stallion Wikipedia: List Of IMAX Films
North of Superior	1,971	Graeme Ferguson	Documentary	Photographed on original IMAX 15-perf 65mm film cameras for 15/70 projection.	1.43:1	18	18	Yes	The intended presentation. The entire short documentary fills a 1.43 screen from native IMAX film.	verified	IMAX Corporation: Corporate History Wikipedia: North Of Superior
To Fly!	1,976	Jim Freeman and Greg MacGillivray	Documentary	Native IMAX 15-perf 65mm film photography.	1.43:1	27	27	Yes	The intended presentation. Native 15/65 photography fills the screen for the full film.	verified	Airandspace: Fly Macgillivrayfreeman: To Fly
The Dream Is Alive	1,985	Graeme Ferguson	Documentary	Native IMAX 15-perf 65mm photography, including footage filmed in space by NASA astronauts.	1.43:1	37	37	Yes	The intended presentation. The entire documentary uses the full native IMAX frame.	verified	NASA: The Dream Is Alive IMAX Corporation: The Dream Is Alive
Blue Planet	1,990	Ben Burtt	Documentary	Native IMAX 15-perf 65mm photography using Earth imagery gathered with NASA cooperation.	1.43:1	42	42	Yes	The intended presentation. The full native IMAX image fills a 1.43 institutional screen.	verified	IMAX Corporation: Blue Planet Wikipedia: Blue Planet (Film)
Fires of Kuwait	1,992	David Douglas	Documentary	Native IMAX 15-perf 65mm documentary photography of the oil-well fires after the Gulf War.	1.43:1	36	36	Yes	The intended presentation. The native negative fills a 1.43 screen for the entire film.	verified	IMAX Corporation: Fires Of Kuwait Academy of Motion Picture Arts and Sciences: 1993
Everest	1,998	David Breashears, Stephen Judson and Greg MacGillivray	Documentary	Native IMAX 15-perf 65mm location photography carried high on Mount Everest.	1.43:1	44	44	Yes	The intended presentation. Native large-format mountain photography fills the entire 1.43 screen.	verified	Macgillivrayfreeman: Everest IMAX Corporation: Everest
Space Station 3D	2,002	Toni Myers	Documentary	Native IMAX 3D 15-perf 65mm photography shot aboard the International Space Station and on Earth.	1.43:1	47	47	Yes	The intended presentation. The full film is native large-format IMAX 3D.	verified	NASA: Space Station 3d IMAX Corporation: Space Station 3d
Hubble 3D	2,010	Toni Myers	Documentary	Native IMAX 3D 15-perf 65mm footage from the STS-125 Hubble servicing mission, combined with large-format visualizations.	1.43:1	44	44	Yes	The intended presentation. The whole documentary is designed for a full-height 1.43 IMAX 3D screen.	verified	NASA: Hubble 3d IMAX Corporation: Hubble 3d
A Beautiful Planet	2,016	Toni Myers	Documentary	Canon EOS C500 and EOS-1D C digital cameras used by astronauts aboard the International Space Station.	1.90:1	46	46	No	The full film is composed for digital IMAX, but it does not use the complete 1.43 screen.	verified	IMAX Corporation: A Beautiful Planet Usa: 20160418 Beautiful
Deep Sky	2,023	Nathaniel Kahn	Documentary	James Webb Space Telescope imagery and documentary material finished specifically for large-format IMAX presentation.	1.43:1	40	40	Yes	The intended presentation. The visualizations and telescope imagery are formatted to fill a 1.43 screen.	verified	IMAX Corporation: Deep Sky Science: Deep Sky Imax

Three traps in the wording

“Filmed for IMAX” is a production and mastering program. It can involve certified digital cameras or IMAX film cameras. It does not promise a film print or a full-height showing.
An IMAX film print does not prove film capture. A digital master can be recorded onto horizontal film for selected venues.
DMR does not always mean no extra height. A taller open-matte or large-format source can be used without an IMAX-certified camera. The row's delivered ratio settles the question.

Once you know the film, use the full-height venue list to find a room that can show it.